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Official Hours
Official working hours of both Theatre Archive and Videotheque:
Monday10am-1pm
Wednesday10am-1pm

Last Entries
Živela je ženska (2018)
Slava (2016)
Red Dog: True Blue (2016)
Big Sick, The (2017)
Tete haute, La (2015)

New Archive Items
A7166 - Mlada umetniška beseda (2018, Programme)
A7165 - Stoletje Hlapcev (2018, Programme)
A7164 - Domišljije iz Harmonije (2018, )
V25318 (DVD)
V25315 - Film (DVD)

Most Wanted
Lord of the Rings: The Two Towers, The (2002)
Moliere (1978)
Ruševine (2004)
Lord of the Rings, The: The Fellowship of the Ring (2001)
Lord of the Rings, The: The Return of the King (2003)

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Igor Koršič (1947-)

NAD MESTOM SE DANI: Foto 3 -

References: IMDb

Projects:
Družinski posnetki (Director)
Questions... (Interviewee)
Modri Angel (1989, Playwright, Dramaturg)
Framing. A Symposium on Cinematography / Kadriranje (1990, Featured)
Babica gre na jug / Grandma Goes South (1991, Actor)
Jože Babič - pogovor s Koršičem (1994, Featured)
Vilmoz tiskovna konferenca / Filmski interv. (1997, Director)
Framing / Kadriranje (1998, Author)
Suso Cecchi D'Amico - predavanje na AGRFT / Scenaristika - neorealizem (1998, Featured)
Abesinija / Abyssinia (1998, Screenwriter)
Varuh meje / Guardian of the Frontier (2002, Actor)
Quick View / Quick View (2005, Actor)
Pitching (2007, Lecturer)
Rerberg i Tarkovski. Obratnaja storona Stalkera / Rerberg and Tarkovsky. The Reverse Side of 'Stalker' (2008, Dramaturg)
Miklos Jancso - Writing With Camera (2010, Director)
Makavejev o filmu (2011, Participating)
Nad mestom se dani / Sunrise Over the City (2011, Actor)
Pobeg / Escape (2011, Actor)
Pogovor z Zeldovičem in Perryjem (2011, Interviewer)
Protestni zbor akademske skupnosti AG, AGRFT in ALUO, članic Univerze v Ljubljani (2012, Featured)
Do dna (2012, Featured)
Filmski almanah (2012, Featured)

Mentoring Work:
Zakaj jih nisem vse postrelil? / Way Didn't I Shoot Them All? (1990), Gibljive slike 17.fest. Muenchen / AGRFT filmi tvs 28.1.98 (1998), Gibljive slike / AGRFT TVS 18.1.98 REŽ.. U.Kos (1998), Piesiewicz, K. - predavanje na AGRFT (1998), Yvette Biro - predavanje na AGRFT (1998), Ross, Dick - predavanje na AGRFT (3VHS) / 17.-18.05.1998 (1998), Režiranje filmskega igralca (1999), Portreta z ozadjem / Two Portraits With Background (2000), Z ljubeznijo / With Love (2000), Figurae veneris / Figuae Veneris (2000), MyWay / MyWay (2000), Nekoga moraš imeti rad / You Have to Love Somebody (2000), Žile / Žile (2000), Milagros / Milagros (2000), Dvakrat na teden / Twice a Week (2000), Flašofon / Bottlephone (2000)

Items to borrow from AGRFT Archives:
A5503 - Dramatik Peter Božič - Predlog za UN Prešernovo nagrado (CD-ROM, )
A5638 - "Slovenska kinematografija je precej unikatna". (Article, Interviewee)
A4383 - O kulturi - Čisto nič posebnega (newspaper article, Journalist - Author)
A7052 - Karikature sodelavcev FTV oddelka za razstavo ob 70. letnici AGRFT (poster, )

Items to borrow from AGRFT Archives (Mentoring):
A1331 - Sedem kratkih filmov Franceta Kosmača (seminar - student paper, Mentor), A584 - Prvi celovečerni film: teorija in praksa (graduation thesis, Mentor), A10584 - Prvi celovečerni film: teorija in praksa (graduation thesis, Mentor), A623 - Avtopoetika - formalna ali realna filmska teorija (seminar - student paper, Mentor), A655 - Dokumentarni film (seminar - student paper synopsis, Mentor), A649 - Paul Auster - Od literature k filmu (seminar - student paper, Mentor), A428 - Maškarada (seminar - student paper, Mentor), A6121 - Svetloba in zvezde (seminar - student paper, Mentor), A673 - Tri zgodbe (seminar - student paper, Mentor), A594 - Novi roman v novem filmskem valu - Marguerite Duras (seminar - student paper, Mentor), A649 - Pantomimične teme Charlia Chaplina (seminar - student paper, Mentor), A684 - Likovnost v slovenskem filmu. (seminar - student paper, Mentor), A682 - Jacques Tati in tehnika smeha (seminar - student paper, Mentor), A669 - Iskanje novih izraznih možnosti filma (seminar - student paper, Mentor), A843 - Francoski novi val (seminar - student paper, Mentor), A744 - Novele Cirila Kosmača v filmih (seminar - student paper, Mentor), A1279 - Filmsko delo slikarja Božidarja Jakca (seminar - student paper, Mentor), A1355 - Živojin Pavlović (seminar - student paper, Mentor), A1551 - Alf Sjoberg - Gospodična Julija : Drama - film (seminar - student paper, Mentor), A1681 - Luis Bunuel (seminar - student paper, Mentor), A1626 - Literarno delo Cirila Kosmača v slovenskem filmu (seminar - student paper, Mentor), A1775 - Novi duh (seminar - project documentation, Mentor), A2052 - Slovenski družbeno kritični kratki film (seminar - student paper, Mentor), A2252 - Jugoslovanski partizanski film glede na razvoj družbene zavesti (seminar - student paper, Mentor), A2389 - Pier Paolo Pasolini (seminar - student paper, Mentor), A4223 - Odnos med kinematografsko podobo in haiku (seminar - student paper, Mentor), A2118 - Življenje in delo Roberta Josepha Flahertya (seminar - student paper, Mentor), A2138 - Celovečerni filmi Franceta Kosmača (seminar - student paper, Mentor), A2387 - Susan Sontag (seminar - student paper, Mentor), A2388 - Vpliv filozofske misli na filmsko prakso (seminar - student paper, Mentor), A2121 - Celovečerni filmi Franceta Kosmača (graduation thesis, Mentor), A2382 - Gospodična Julija - Strindberg - Sjoberg (seminar - student paper, Mentor), A49 - Transcendentalni film (seminar - student paper, Mentor), A2185 - Zvočna kulisa filma (seminar - student paper, Mentor), A2176 - Znaki v filmih Romana Polanskega (seminar - student paper synopsis, Mentor), A2178 - Splav meduze (seminar - student paper, Mentor), A2180 - Igra v gledališču in na filmu (seminar - student paper, Mentor), A2181 - Luis Bunuel - Ta mračni predmet poželenja (seminar - student paper, Mentor), A2182 - Slovenski črni val (seminar - student paper, Mentor), A2383 - Ženska vloga v novejšem jugoslovanskem filmu (seminar - student paper synopsis, Mentor), A2384 - Zgodovina filma na Primorskem (seminar - student paper, Mentor), A2175 - Filmske novice in filmski obzornik 45-51 (seminar - student paper, Mentor), A2270 - Razvoj jugoslovanskega partizanskega filmskega junaka (seminar - student paper, Mentor), A2575 - Ubij me nežno (seminar - student paper, Mentor), A2394 - Nadrealno v filmih Luisa Bunuela (seminar - student paper, Mentor), A2179 - Haiku lirika in kinematografična podoba pri Tarkovskem (seminar - student paper, Mentor), A2399 - Alfred Hitchcock - Dvoriščno okno (seminar - student paper, Mentor), A2272 - Geneza filma Na svoji zemlji (seminar - student paper, Mentor), A2274 - Pokrajine v filmu Solaris in Svetloba v avgustu (seminar - student paper, Mentor), A2574 - Filmska glasba (seminar - student paper synopsis, Mentor), A2390 - Ženski film… da ali ne? (seminar - student paper, Mentor), A2339 - Visconti in neorealizem. (seminar - student paper, Mentor), A2273 - Sanjski elementi v Bunuelovih filmih (seminar - student paper, Mentor), A425 - Pasolini kot teoretik filma (seminar - student paper, Mentor), A2396 - Filmski prispevki k politizaciji umetnosti (seminar - student paper, Mentor), A2393 - Masaki Kobayashi (seminar - student paper, Mentor), A2458 - Naš človek (seminar - student paper, Mentor), A2459 - Pot (seminar - student paper, Mentor), A2460 - Ingarden in film - Husserl in fenomenološka metoda (seminar - student paper, Mentor), A2571 - Filmski idealizem (seminar - student paper, Mentor), A2391 - Znanstveno fantastični film (seminar - student paper, Mentor), A2392 - Film, umetnostni hibrid zgodovinskega materializma (seminar - student paper, Mentor), A2386 - Alain Resnais in Alan Robbe Grillet (seminar - student paper, Mentor), A2572 - Dokumentarni film in še kakšen (seminar - student paper synopsis, Mentor), A2377 - Tako dolga odsotnost - Leta odločitve (seminar - student paper, Mentor), A2468 - WR ali Misterij organizma... (seminar - student paper, Mentor), A162 - Paul Ricoeur - Hermeneutics and the Human Sciences (seminar - student paper, Mentor), A2549 - Problem scenarija v teoriji filma (graduation thesis, Mentor), A163 - Paul Ricoeur - Hermeneutics and Social Sciences (seminar - student paper, Mentor), A2571 - Načrtovanje filmskega programa v Ljubljani (seminar - student paper synopsis, Mentor), A2455 - Ovni in mamuti (seminar - student paper, Mentor), A2456 - Balada o Narayami (seminar - student paper, Mentor), A2573 - Poiskus razmišljanja o organizaciji slovenskega filma (seminar - student paper synopsis, Mentor), A4446 - Changing structures for changing feelings (seminar - student paper, Mentor), A426 - Proces nastajanja in odločanja tv projekta o Primožu Trubarju (seminar - student paper, Mentor), A4449 - Sergio Leone: Bilo je nekoč v Ameriki (seminar - student paper, Mentor), A533 - Ples v dežju in Peščeni grad Boštjana Hladnika (seminar - student paper, Mentor), A4448 - Pojav zvočnega filma 1926-1932 (seminar - student paper, Mentor), A4451 - Kader sekvenca (seminar - synopsis, Mentor), A4453 - Odvečni čas (seminar - student paper, Mentor), A4444 - Cahier du Cinema (seminar - student paper, Mentor), A4454 - Zvočni film in ameriški studio sistem (seminar - student paper, Mentor), A48 - (seminar - student paper, Mentor), A46 - Jean-Jacques Beneix - Betty Blue (seminar - student paper, Mentor), A47 - Matematizacija filma - Jugoslovanski neodvisni film (seminar - student paper, Mentor), A51 - Michel Chion. Napisati scenarij ali filmska poetika (seminar - student paper, Mentor), A51 - Michael Chion: Napisati scenarij ali filmska poetika (seminar - student paper, Mentor), A2569 - Slepo polje hermeneutična funkcija distanciranja (seminar - student paper, Mentor), A4438 - Betty Blue (seminar - student paper, Mentor), A52 - Tkivo časa (seminar - student paper, Mentor), A4447 - Čas v zgodovini (seminar - student paper, Mentor), A4443 - Barvni film: 1926 do 1932 (seminar - student paper, Mentor), A4450 - Pisanje za Viscontija (seminar - student paper, Mentor), A4458 - Montaža in ontološka vrednost filmske slike v reklamnih filmih Jake Judniča (seminar - student paper, Mentor), A4437 - Zvok balalajk na strunah teniških loparjev (seminar - student paper, Mentor), A4436 - Estetska misel Erica Rohmerja (seminar - student paper, Mentor), A4457 - Modri angel: primerjava postopkov filmske in gledališke režije (graduation thesis, Mentor), A4441 - Ridley Scott - Blade Runner (seminar - student paper synopsis, Mentor), A55 - Milton Manaki - pionir domačega filma (seminar - student paper, Mentor), A4455 - Magična iluzija Ingmarja Bergmana (graduation thesis, Mentor), A424 - Estetika slovenskega filma (seminar - student paper synopsis, Mentor), A54 - Traktat v novi luči - Etično obeležje (seminar - student paper, Mentor), A93 - Film in literatura (seminar - student paper, Mentor), A88 - Film in gledališče (seminar - student paper, Mentor), A89 - Konec humanizma (seminar - student paper, Mentor), A4442 - Težave s Harryjem (seminar - student paper synopsis, Mentor), A95 - Mike Nichols: Diplomiranec (seminar - student paper, Mentor), A4445 - Jean Mitry in Noel Burch (seminar - student paper, Mentor), A56 - Peter Weir in njegov filmski opus (seminar - student paper, Mentor), A88 - Film in gledališče (seminar - student paper, Mentor), A93 - Film in literatura (seminar - student paper, Mentor), A91 - Odiseja v vesolju 2001 (graduation thesis, Mentor), A99 - Duša Počkajeva v filmu (seminar - student paper, Mentor), A86 - Narativna funkcija Paula Ricoeurja (seminar - student paper, Mentor), A50 - Mesto in njegov dvojnik (seminar - student paper, Mentor), A69 - Wim Wenders: Nebo nad Berlinom (seminar - student paper, Mentor), A96 - Začetki in prvi uspehi lutkovnega filma (seminar - student paper, Mentor), A98 - Peter Greenaway in pravila igre (seminar - student paper, Mentor), A90 - Nevarna razmerja med filmom in literaturo (seminar - student paper, Mentor), A96 - Začetki in prvi uspehi lutkovnega filma (seminar - student paper, Mentor), A97 - Filmsko gledališke pararele (seminar - student paper, Mentor), A72 - Fassbinderjeva filmska strategija - Lili Marlen kot subverzivni umetniški produkt (seminar - student paper, Mentor), A4445 - Gruntovčani (seminar - student paper, Mentor), A94 - Stanley Kubrick - Odiseja v vesolju 2001 (seminar - student paper, Mentor), A429 - Blade Runner ali filozofična melodrama (seminar - student paper, Mentor), A130 - Sanje in Newyorške zgodbe (seminar - student paper, Mentor), A133 - Duša Počkaj v slovenskem filmu (seminar - student paper, Mentor), A104 - Hamlet - Ameriški prijatelj (seminar - student paper, Mentor), A101 - Italijanski neorealizem (seminar - student paper, Mentor), A171 - Neznana pota filmske teorije (seminar - student paper, Mentor), A128 - Jean Collet: Teorije niso zato, da bi delovale (seminar - student paper, Mentor), A92 - Stefano Masi - Barve svetlobe (seminar - student paper, Mentor), A131 - Filmski reklamni spot kot možna mitska struktura (seminar - student paper, Mentor), A102 - Naslov v igranem filmu (seminar - student paper, Mentor), A103 - Renoir: poetika (seminar - student paper, Mentor), A92 - Stefano Masi: Barve svetlobe (seminar - student paper, Mentor), A97 - Filmsko gledališke pararele (seminar - student paper, Mentor), A124 - Supernaturalizem Bunuelovega Andaluzijskega psa (seminar - student paper, Mentor), A100 - Telo - prostor - filmska podoba (seminar - student paper, Mentor), A131 - Filmski reklamni spot, kot možna mitska struktura (seminar - student paper, Mentor), A132 - For a few dollars more (seminar - student paper, Mentor), A127 - Lutkovnost in animirani film (seminar - student paper, Mentor), A94 - Stanley Kubrick: Odiseja 2001 (seminar - student paper, Mentor), A164 - Filmska podoba v postmodernizmu (seminar - student paper, Mentor), A167 - Letna kronika ljubljanskih kinodvoran (seminar - student paper, Mentor), A168 - Zoževanje prostora (seminar - student paper, Mentor), A170 - Off prostor Bartona Finka (seminar - student paper, Mentor), A176 - The Silence of the Lambs (seminar - student paper, Mentor), A118 - Sladka strast periferije (graduation thesis, Mentor), A173 - Filmi tretjega tisočletja ali preroškost Lyncha, Coenov, Triera (seminar - student paper, Mentor), A174 - Barton Fink (seminar - student paper, Mentor), A175 - Barton Fink: Naracija (seminar - student paper, Mentor), A166 - Barton Fink (seminar - student paper, Mentor), A169 - Moje mnenje o filmu Barton Fink (seminar - student paper, Mentor), A430 - Znak, simbol, arhetip, kliše; Kratka forma in postmoderna (masters thesis, Mentor), A165 - Džehenem (seminar - student paper, Mentor), A277 - Barton Fink (seminar - student paper, Mentor), A237 - Vampirji v filmu (seminar - student paper, Mentor), A275 - Rohmer - Zbiralka (seminar - student paper, Mentor), A230 - Vittorio De Sica: Umberto D (seminar - student paper, Mentor), A227 - Tako to gre (seminar - student paper, Mentor), A228 - Tati, Hulot in zvok (seminar - student paper, Mentor), A271 - Dialog v slovenskih mladinskih filmih (seminar - student paper, Mentor), A276 - Češnjev vrt (seminar - student paper, Mentor), A232 - Max Reinhardt in nemški film (seminar - student paper, Mentor), A239 - Telo - prostor - filmska podoba - stil (seminar - student paper, Mentor), A229 - O adaptaciji, backih, Herbertu, Dune in še o čem (seminar - student paper, Mentor), A431 - Dramaturgija kratkega igranega filma (seminar - student paper, Mentor), A274 - Element vode v filmih Petra Greenawaya (seminar - student paper, Mentor), A231 - Ples v dežju (seminar - student paper, Mentor), A278 - Morana (seminar - student paper, Mentor), A275 - Zbiralka (seminar - student paper, Mentor), A235 - Ples v dežju (seminar - student paper, Mentor), A277 - Barton Fink ali vstop skozi ogledalo (seminar - student paper, Mentor), A265 - Dokumentarni film (seminar - student paper, Mentor), A234 - Makedonsko svetovni film (seminar - student paper, Mentor), A254 - Pedro Almodovar (seminar - student paper, Mentor), A258 - Slovenski film - Intervjuji (seminar - student paper, Mentor), A259 - Filmska kritika in kritika filma (seminar - student paper, Mentor), A260 - Pripovedovati zgodbo (seminar - student paper, Mentor), A261 - John Waters, pacient ali mojster kiča (seminar - student paper, Mentor), A262 - Off prostor, slepo polje (seminar - student paper, Mentor), A263 - Ekspresionizem v nemem filmu (seminar - student paper, Mentor), A264 - Krožna dramaturgija fraktalov (seminar - student paper, Mentor), A238 - Dva slovenska pogleda na umetniške možnosti filma v norih dvajsetih (seminar - student paper, Mentor), A236 - F. W. Murnau in Nosferatu (seminar - student paper, Mentor), A318 - Cinema paradiso (seminar - student paper, Mentor), A273 - Dobri, stari pianino (seminar - student paper, Mentor), A316 - Zaprite oči, pa boste videli (seminar - student paper, Mentor), A315 - Luis Bunuel - nadrealizem v filmu (seminar - student paper, Mentor), A322 - Filmska izrazna sredstva in oblikovanje (seminar - student paper, Mentor), A318 - Cinema Paradiso (seminar - student paper, Mentor), A319 - Filmska režija (seminar - student paper, Mentor), A321 - Esse est percipi (seminar - student paper, Mentor), A310 - Prerez čez trenutno podobo na slovenskem filmskem tržišču (seminar - student paper, Mentor), A311 - Lawrence Kasdan & Co. (seminar - student paper, Mentor), A312 - Mr. Manhattan (seminar - student paper synopsis, Mentor), A323 - Take ideje uspevajo samo v slabih filmih in komedijah (seminar - student paper, Mentor), A314 - Nostalgija (seminar - student paper, Mentor), A317 - Filmske ženske (seminar - student paper, Mentor), A313 - Macbeth na filmu (seminar - student paper, Mentor), A314 - Film Andreja Tarkovskega Nostalgija (seminar - student paper, Mentor), A372 - Quentin Tarantino - pesnik hemoglobina (synopsis, Mentor), A378 - Čas in konec koncev (seminar - student paper, Mentor), A380 - Delikatesna ponudba kanibalizma (seminar - student paper, Mentor), A379 - Heavenly Creatures (nebeška bitja) (seminar - student paper, Mentor), A374 - Erotika VS pornografija (seminar - student paper, Mentor), A376 - Propad zvezde ali problem igralca v dobi elektonskih medijev (seminar - student paper, Mentor), A377 - Filmske ženske II. (seminar - student paper, Mentor), A373 - Koncert nebeških bojevnikov (seminar - student paper, Mentor), A375 - Fantazija odraslih otrok (seminar - student paper, Mentor), A369 - Eh Joe - Beckettov scenarij za TV igro (seminar - student paper, Mentor), A10648 - Nič več solza (seminar - student paper, Mentor), A10317 - Nudisti na poti v park (seminar - student paper, Mentor), A634 - Woody Allen - Pavliha, genij ali mravlja? (seminar - student paper, Mentor), A578 - Maya Deren (seminar - student paper, Mentor), A660 - Filmska igra (seminar - student paper, Mentor), A643 - Ciklon (seminar - student paper synopsis, Mentor), A10666 - Pavarotti - Pehtran (seminar - shooting script, Mentor), A646 - B. Bertolucci: Čaj v Sahari (seminar - student paper, Mentor), A624 - Filmska igra (seminar - student paper, Mentor), A625 - Spolnost v filmu (seminar - student paper, Mentor), A630 - Vamp dekle (seminar - student paper, Mentor), A10665 - Možnosti (seminar - student paper, Mentor), A637 - Aki Kaurismaki in Calamari Union (seminar - student paper, Mentor), A627 - Ali androidi sanjajo elektr.sanje (seminar - student paper synopsis, Mentor), A423 - Vizualizacija (seminar - student paper, Mentor), A632 - Hemoglobin v filmski emulziji (seminar - student paper, Mentor), A823 - John Boorman in Deliverance (seminar - student paper, Mentor), A652 - Stili igre (seminar - student paper, Mentor), A626 - Tod Browning (seminar - student paper, Mentor), A816 - Življenje je lepo (seminar - student paper, Mentor), A636 - Od ideje do scenarija (seminar - student paper, Mentor), A647 - Miloš Forman: Črni Peter (seminar - student paper, Mentor), A647 - Črni Peter - Aaahoj, poba (seminar - student paper, Mentor), A667 - Four Rooms (seminar - student paper, Mentor), A633 - Anagram Maye Deren (seminar - student paper, Mentor), A641 - Scorsese in skušnjava (seminar - student paper synopsis, Mentor), A662 - Glasba v filmu (seminar - student paper, Mentor), A668 - Urga (seminar - student paper, Mentor), A663 - Motivika živali v filmu Natural Born Killers (seminar - student paper, Mentor), A658 - Natural Born Killers (seminar - student paper, Mentor), A648 - Jim Jarmusch: Dead Man (seminar - student paper, Mentor), A745 - Hal Hartley: Simple man (seminar - student paper, Mentor), A656 - Idioti (seminar - student paper, Mentor), A506 - Kot bi trenil z očesom (seminar - student paper, Mentor), A651 - Tretji človek, tretja ženska (seminar - student paper, Mentor), A657 - V leru (seminar - student paper, Mentor), A10661 - Predstavitev filma Rojena morilca (seminar - student paper, Mentor), A659 - V kraljestvu Zlatoroga (seminar - student paper, Mentor), A653 - Govorjena pripoved (seminar - student paper, Mentor), A642 - Govorica svetlobe (seminar - student paper synopsis, Mentor), A10585 - "Onkraj" v igranem filmu (seminar - student paper, Mentor), A670 - Esej o kriku stene Wernerja Herzoga (seminar - student paper, Mentor), A639 - Tri barve: naključje v rokah režiserja (seminar - student paper synopsis, Mentor), A640 - Naključje v rokah režiserja (seminar - student paper, Mentor), A650 - Shine (seminar - student paper, Mentor), A654 - Lulu on the Bridge (seminar - student paper, Mentor), A629 - Problemi slovenskega filma (seminar - student paper, Mentor), A638 - Grenka luna (seminar - student paper, Mentor), A4982 - Figurae veneris (shooting script, Mentor), A743 - Milagros (seminar - screenplay, Mentor), A742 - Figurae veneris (seminar - screenplay, Mentor), A818 - Dokumentarni scenarij (seminar - screenplay, Mentor), A815 - Bolje ne bo nikoli (seminar - student paper, Mentor), A618 - Flašon (seminar - screenplay, Mentor), A4100 - Črnci v komediji (seminar - student paper, Mentor), A4338 - Avdicija in Slačenje (seminar - student paper, Mentor), A10671 - Se spominjaš Annie Hall? (graduation thesis, Mentor), A9669 - Ekstaza časa (seminar - student paper, Mentor), A4864 - M - stalni lik morilca skozi zgodovino filma (seminar - student paper, Mentor), A4101 - Richard Eyre: King Lear (1997) (seminar - student paper, Mentor), A4865 - Samomor in češnje (seminar - student paper, Mentor), A720 - Poti in stranpoti (seminar - student paper, Mentor), A4197 - Potovanje v srednji svet. Filmska trilogija Gospodar prstanov. (seminar - student paper, Mentor), A5065 - Umeščenost Miloša Formana v novi val češkoslovaškega filma (seminar - excercises, Mentor), A5066 - Dogville (seminar - excercises, Mentor), A5552 - Pedro Almodovar: Njegovi posiljeni ženski ali Kika ali Govori z nji (seminar - student paper, Mentor), A5553 - Draga Wendy (seminar - student paper, Mentor), A5357 - Sex and the City, 1 (seminar - student paper, Mentor), A4627 - Kasper Hauser (seminar - student paper, Mentor), A5067 - Dogville (seminar - excercises, Mentor), A5358 - Sex and the City, 2 (seminar - student paper, Mentor), A5347 - Režijski postopki v filmih Stanleya Kubricka (seminar - excercises, Mentor), A5379 - Fantom svobode (seminar - student paper, Mentor), A5348 - Adaptacije kratkih zgodb v scenarije na primerih: Skrbnik, Grobarček in Slonček (seminar - excercises, Mentor), A4945 - Mokumentarni film (masters thesis, Mentor), A5258 - Začetki slovenskega televizijskega lutkarstva (masters thesis, Mentor), A5275 - Produkcija nizkoproračunskega celovečernega filma (seminar - excercises, Mentor)

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Idea: Simona Ješelnik, Tanja Premk Grum, Martin Srebotnjak, Barbara Sušec-Michieli
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On This Day
Walt Disney (5.12.1901-15.12.1966)
Matjaž Klopčič (4.12.1934-15.12.2007)

Theatre Catalogue
In Slovenian Theatre Catalogue you can search for theatre performances by production company or theatre season.
Theatre:
Season:

1,046875