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Kako važno je biti resen (1966)

Igra v treh dejanjih
The Importance of Being Earnest
Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - Kako važno je biti resen - scena - II. dejanje
Country of Origin: Slovenia
Original project format: black & white
language: Slovenian
premiere date: 27.6.1966
theatre production
an AGRFT student production/project
4. year 1965/1966 DIUB + GLR IV.

Opombe:Uprizoritev slušateljev Mileta Koruna.
Karpo Aćimović Godina (Director - slušatelj 8. semestra)
Radko Polič (Actor, Worthing)
Niko Goršič (Actor, Algernon)
Nadja Vidmar (Actor, Lady Bracknell)
Mateja Glažar (Actor, Gwendolen)
Lucija Drolc (Actor, Cecily)
Marija Hozjan (Actor, Laetitia)
Matjaž Loboda (Actor, Merriman - slušatelj 4. semestra)
Evgen Car (Actor, Lane - slušatelj 6. semestra)
Bogomir Veras (Actor, Chasuble - slušatelj 6. semestra)
Mile Korun (Mentor)
Oscar Wilde (Playwright)
UL AGRFT (Production Company)
Tatjana Premk Grum (Dramaturg)
Uroš Vagaja (Set Designer)
Anja Dolenc (Costume Designer)
Mira Mihelič (Translator)
Maks Furijan (Make-Up Artist)
Igor Maksim Košir (Stage Manager - slušatelj 2. semestra)

Units in AGRFT Archive:
A321 - Kako važno je biti resen (photograph (negative) BW, original - not available)

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